When Stars Align

A young girl must face a life-altering decision after awakening her sister’s ghost, navigating truths about love, friendship, and power as the Civil War looms. Sixteen years old and enslaved since she was born, Junie has spent her life on Bellereine Plantation in Alabama, cooking and cleaning alongside her family, and tending to the white master’s daughter, Violet. Her daydreams are filled with poetry and faraway worlds, while she spends her nights secretly roaming through the forest, consumed with grief over the sudden death of her older sister, Minnie. When wealthy guests arrive from New Orleans, hinting at marriage for Violet and upending Junie’s life, she commits a desperate act–one that rouses Minnie’s spirit from the grave, tethered to this world unless Junie can free her. 

Not your everyday coming-of-age novel. This story was supposed to be about Evie — how she hasn’t made a friend in years, how she tends to stretch the truth (especially about her so-called relationship with college drop-out Jonah Luks), and how she finally comes into her own once she learns to just be herself — but it isn’t. Because when her classmate Elizabeth “Zabet” McCabe’s murdered body is found in the woods, everything changes, and Evie’s life is never the same again.

From award-winning writer David Mitchell comes a sinewy, meditative novel of boyhood on the cusp of adulthood and the old on the cusp of the new. Black Swan Green tracks a single year in what is, for thirteen-year-old Jason Taylor, the sleepiest village in muddiest Worcestershire in a dying Cold War England, 1982. But the thirteen chapters, each a short story in its own right, create an exquisitely observed world that is anything but sleepy. A world of Kissingeresque realpolitik enacted in boys’ games on a frozen lake; of “nightcreeping” through the summer backyards of strangers; of the tabloid-fueled thrills of the Falklands War and its human toll; of the cruel, luscious Dawn Madden and her power-hungry boyfriend, Ross Wilcox; of a certain Madame Eva van Outryve de Crommelynck, an elderly bohemian emigré who is both more and less than she appears; of Jason’s search to replace his dead grandfather’s irreplaceable smashed watch before the crime is discovered; of first cigarettes, first kisses, first Duran Duran LPs, and first deaths; of Margaret Thatcher’s recession; of Gypsies camping in the woods and the hysteria they inspire; and, even closer to home, of a slow-motion divorce in four seasons. Pointed, funny, profound, left-field, elegiac, and painted with the stuff of life, Black Swan Green is David Mitchell’s subtlest and most effective achievement to date.

From two-time Caine Prize finalist Elnathan John, a dynamic young voice from Nigeria, Born on a Tuesday is a stirring, starkly rendered first novel about a young boy struggling to find his place in a society that is fracturing along religious and political lines. In far northwestern Nigeria, Dantala lives among a gang of street boys who sleep under a kuka tree. During the election, the boys are paid by the Small Party to cause trouble. When their attempt to burn down the opposition’s local headquarters ends in disaster, Dantala must run for his life, leaving his best friend behind. He makes his way to a mosque that provides him with food, shelter, and guidance. With his quick aptitude and modest nature, Dantala becomes a favored apprentice to the mosque’s sheikh. Before long, he is faced with a terrible conflict of loyalties, as one of the sheikh’s closest advisors begins to raise his own radical movement. When bloodshed erupts in the city around him, Dantala must decide what kind of Muslim—and what kind of man—he wants to be. Told in Dantala’s naïve, searching voice, this astonishing debut explores the ways in which young men are seduced by religious fundamentalism and violence.

Pretty isn’t everything! Trapped by the limitations of her high-school adjective, the realities of her mother’s alcohol addiction, and a racially fraught America, Sophie’s perspective on what being pretty really means changes drastically in the second adjective-busting novel by the author of Husky, Justin Sayre. Set three months after Husky’s conclusion and narrated by Sophie, Davis’s best friend, Sayre details the private and public life of someone saddled with the adjective of pretty. Confident, stylish, and easygoing at school, Sophie is struggling in her home life. Stepping in to help as her mother’s addiction spirals out of control, Sophie’s aunt teaches the biracial Sophie new lessons about her heritage. While helping to heal the wounds inflicted by alcoholism, Sophie’s renewed sense of self challenges her perception of place in the affluent, “liberal” neighborhood of Park Slope where she lives. Set against the backgrounds of Brooklyn and Harlem, Sayre challenges readers to confront superficial assumptions about race and beauty and breathes new life into the cannon of middle-grade realistic fiction.

An atmospheric coming-of-age story about a young man’s transformative year on his family’s struggling Icelandic cattle farm as he falls in love, discovers the purpose he’s been missing, and seeks to connect with his stoic father, who remains haunted by a tragic past. Growing up on his family’s cattle farm in western Iceland, young Orri has gained an appreciation for the beauty found in everyday things: the cavorting of a newborn calf, the return of birdsong after a long winter, the steadfast love of a good (or tolerably good) farm dog. But the outer world still beckons, so Orri leaves his no-nonsense Lithuanian Jewish mother and his taciturn father, Pabbi, to attend university in Reykjavik.