A taut and lyrical coming-of-age debut about a young American woman navigating class, lies, and love amid London’s jet-set elite. I would arrive, blank like a sheet of notebook paper, and write myself new. Anna first fell in love with London at her hometown library–its Jane Austen balls a far cry from her life of food stamps and hand-me-downs. But when she finally arrives after college, the real London is a moldy flat and the same paycheck-to-paycheck grind–that fairy-tale life still out of reach.

From award-winning writer David Mitchell comes a sinewy, meditative novel of boyhood on the cusp of adulthood and the old on the cusp of the new. Black Swan Green tracks a single year in what is, for thirteen-year-old Jason Taylor, the sleepiest village in muddiest Worcestershire in a dying Cold War England, 1982. But the thirteen chapters, each a short story in its own right, create an exquisitely observed world that is anything but sleepy. A world of Kissingeresque realpolitik enacted in boys’ games on a frozen lake; of “nightcreeping” through the summer backyards of strangers; of the tabloid-fueled thrills of the Falklands War and its human toll; of the cruel, luscious Dawn Madden and her power-hungry boyfriend, Ross Wilcox; of a certain Madame Eva van Outryve de Crommelynck, an elderly bohemian emigré who is both more and less than she appears; of Jason’s search to replace his dead grandfather’s irreplaceable smashed watch before the crime is discovered; of first cigarettes, first kisses, first Duran Duran LPs, and first deaths; of Margaret Thatcher’s recession; of Gypsies camping in the woods and the hysteria they inspire; and, even closer to home, of a slow-motion divorce in four seasons. Pointed, funny, profound, left-field, elegiac, and painted with the stuff of life, Black Swan Green is David Mitchell’s subtlest and most effective achievement to date.

Bullies, harsh teachers, vicious dogs–the pastoral British countryside is a much tougher place than ten-year-old city boy Peter thought it would be. Weirder, too–there are odd shopkeepers in the village, strange hermits living in the woods, and a man known as Scarecrow Man, who stands silently in the fields along Everlasting Lane looking up at the sky. Peter’s grieving mother has gone strange, too. In the new cottage where, after the death of his father, she’s moved them both from London, she seals off an upstairs room and forbids Peter from ever entering it. Somehow, he senses the locked room represents something that troubles his mother even worse than the death of his father–but what? It isn’t until he befriends the other school outcasts–the too-smart-for-her-own-good tomboy, Anna-Marie, and overweight Tommie–that Peter begins to think he has a fighting chance of getting by in school. And as the trio of outsiders band together, he begins to think he has a chance of helping his mother, too–by getting his new friends to help him discover the dark secret she is keeping from him…

Ten-year-old Helen and her summer guardian, Flora, are isolated together in Helen’s decaying family house while her father is doing secret war work in Oak Ridge during the final months of World War II. At three Helen lost her mother and the beloved grandmother who raised her has just died. A fiercely imaginative child, Helen is desperate to keep her house intact with all its ghosts and stories. Flora, her late mother’s twenty-two-year old first cousin, who cries at the drop of a hat, is ardently determined to do her best for Helen. Their relationship and its fallout, played against a backdrop of a lost America will haunt Helen for the rest of her life. This darkly beautiful novel about a child and a caretaker in isolation evokes shades of The Turn of the Screw and also harks back to Godwin’s memorable novel of growing up, The Finishing School. With its house on top of a mountain and a child who may be a bomb that will one day go off, Flora tells a story of love, regret, and the things we can’t undo. It will stay with readers long after the last page is turned.

“WHEN YOU GREW UP IN THE PROJECTS, THERE WERE NO CHOICES. NO GOOD ONES, AT LEAST.” In the Frederick Douglass Project where DeShawn lives, daily life is ruled by drugs and gang violence. Many teenagers drop out of school and join gangs, and every kid knows someone who died. Gunshots ring out on a regular basis. DeShawn is smart enough to know he should stay in school and keep away from the gangs. But while his friends have drug money to buy fancy sneakers and big-screen TVs, DeShawn’s family can barely afford food for the month. How can he stick to his principles when his family is hungry? In this gritty novel about growing up in the inner city, award-winning author Todd Strasser opens a window into the life of a teenager struggling with right and wrong under the ever-present shadow of gangs.

“What’s your name?” “Serene.” “Serena?” Elliot asked. “Serene,” said Serene. “My full name is Serene-Heart-in-the-Chaos-of-Battle.” Elliot’s mouth fell open. “That is badass.” The Borderlands aren’t like anywhere else. Don’t try to smuggle a phone or any other piece of technology over the wall that marks the Border—unless you enjoy a fireworks display in your backpack. (Ballpoint pens are okay.) There are elves, harpies, and—best of all as far as Elliot is concerned—mermaids. Elliot? Who’s Elliot? Elliot is thirteen years old. He’s smart and just a tiny bit obnoxious. Sometimes more than a tiny bit. When his class goes on a field trip and he can see a wall that no one else can see, he is given the chance to go to school in the Borderlands. It turns out that on the other side of the wall, classes involve a lot more weaponry and fitness training and fewer mermaids than he expected. On the other hand, there’s Serene-Heart-in-the-Chaos-of-Battle, an elven warrior who is more beautiful than anyone Elliot has ever seen, and then there’s her human friend Luke: sunny, blond, and annoyingly likeable. There are lots of interesting books. There’s even the chance Elliot might be able to change the world.

A starry-eyed young beauty, Marjorie Morgenstern is nineteen years old when she leaves New York to accept the job of her dreams-working in a summer-stock company for Noel Airman, its talented and intensely charismatic director. Released from the social constraints of her traditional Jewish family, and thrown into the glorious, colorful world of theater, Marjorie finds herself entangled in a powerful affair with the man destined to become the greatest-and the most destructive-love of her life. Rich with humor and poignancy, Marjorie Morningstar is a classic love story, one that spans two continents and two decades in the life of its heroine. This unforgettable paean to youthful love and the bittersweet sorrow of a first heartbreak endures as one of Herman Wouk’s most beloved creations.

If Naomi had picked tails, she would have won the coin toss. She wouldn’t have had to go back for the yearbook camera, and she wouldn’t have hit her head on the steps. She wouldn’t have woken up in an ambulance with amnesia. She certainly would have remembered her boyfriend, Ace. She might even have remembered why she fell in love with him in the first place. She would understand why her best friend, Will, keeps calling her “Chief.” She’d know about her mom’s new family. She’d know about her dad’s fiancée. She never would have met James, the boy with the questionable past and the even fuzzier future, who tells her he once wanted to kiss her. She wouldn’t have wanted to kiss him back. But Naomi picked heads. After her remarkable debut, Gabrielle Zevin has crafted an imaginative second novel all about love and second chances. Memoirs of a Teenage Amnesiac is a 2008 Bank Street – Best Children’s Book of the Year.

On the surface, Ordinary Grace is the story of the murder of a beautiful young woman, a beloved daughter and sister. At heart, it’s the story of what that tragedy does to a boy, his family, and ultimately the fabric of the small town in which he lives. Told from Frank’s perspective forty years after that fateful summer, it is a moving account of a boy standing at the door of his young manhood, trying to understand a world that seems to be falling apart around him. It is an unforgettable novel about discovering the terrible price of wisdom and the enduring grace of God.

An atmospheric coming-of-age story about a young man’s transformative year on his family’s struggling Icelandic cattle farm as he falls in love, discovers the purpose he’s been missing, and seeks to connect with his stoic father, who remains haunted by a tragic past. Growing up on his family’s cattle farm in western Iceland, young Orri has gained an appreciation for the beauty found in everyday things: the cavorting of a newborn calf, the return of birdsong after a long winter, the steadfast love of a good (or tolerably good) farm dog. But the outer world still beckons, so Orri leaves his no-nonsense Lithuanian Jewish mother and his taciturn father, Pabbi, to attend university in Reykjavik.