All That Life Can Afford

Mia’s secret comedy career, forbidden office crush, and a long-guarded family secret take center stage, threatening her newfound confidence and her one shot at fame in this hilarious, heartfelt coming-of-age story perfect for fans of Curtis Sittenfeld and Etaf Rum. Mia Almas has a secret. By day, she works at a respectable job as a media fact checker–a position her conservative, Arab grandparents approve of–and, by night, she takes to the stages of New York City comedy clubs.

A starry-eyed young beauty, Marjorie Morgenstern is nineteen years old when she leaves New York to accept the job of her dreams-working in a summer-stock company for Noel Airman, its talented and intensely charismatic director. Released from the social constraints of her traditional Jewish family, and thrown into the glorious, colorful world of theater, Marjorie finds herself entangled in a powerful affair with the man destined to become the greatest-and the most destructive-love of her life. Rich with humor and poignancy, Marjorie Morningstar is a classic love story, one that spans two continents and two decades in the life of its heroine. This unforgettable paean to youthful love and the bittersweet sorrow of a first heartbreak endures as one of Herman Wouk’s most beloved creations.

If Naomi had picked tails, she would have won the coin toss. She wouldn’t have had to go back for the yearbook camera, and she wouldn’t have hit her head on the steps. She wouldn’t have woken up in an ambulance with amnesia. She certainly would have remembered her boyfriend, Ace. She might even have remembered why she fell in love with him in the first place. She would understand why her best friend, Will, keeps calling her “Chief.” She’d know about her mom’s new family. She’d know about her dad’s fiancée. She never would have met James, the boy with the questionable past and the even fuzzier future, who tells her he once wanted to kiss her. She wouldn’t have wanted to kiss him back. But Naomi picked heads. After her remarkable debut, Gabrielle Zevin has crafted an imaginative second novel all about love and second chances. Memoirs of a Teenage Amnesiac is a 2008 Bank Street – Best Children’s Book of the Year.

From two-time Caine Prize finalist Elnathan John, a dynamic young voice from Nigeria, Born on a Tuesday is a stirring, starkly rendered first novel about a young boy struggling to find his place in a society that is fracturing along religious and political lines. In far northwestern Nigeria, Dantala lives among a gang of street boys who sleep under a kuka tree. During the election, the boys are paid by the Small Party to cause trouble. When their attempt to burn down the opposition’s local headquarters ends in disaster, Dantala must run for his life, leaving his best friend behind. He makes his way to a mosque that provides him with food, shelter, and guidance. With his quick aptitude and modest nature, Dantala becomes a favored apprentice to the mosque’s sheikh. Before long, he is faced with a terrible conflict of loyalties, as one of the sheikh’s closest advisors begins to raise his own radical movement. When bloodshed erupts in the city around him, Dantala must decide what kind of Muslim—and what kind of man—he wants to be. Told in Dantala’s naïve, searching voice, this astonishing debut explores the ways in which young men are seduced by religious fundamentalism and violence.

The warm, funny, and supremely original new novel from one of the most acclaimed writers in America The year is 1985. Benji Cooper is one of the only black students at an elite prep school in Manhattan. He spends his falls and winters going to roller-disco bar mitzvahs, playing too much Dungeons and Dragons, and trying to catch glimpses of nudity on late-night cable TV. After a tragic mishap on his first day of high school—when Benji reveals his deep enthusiasm for the horror movie magazine Fangoria—his social doom is sealed for the next four years. But every summer, Benji escapes to the Hamptons, to Sag Harbor, where a small community of African American professionals have built a world of their own. Because their parents come out only on weekends, he and his friends are left to their own devices for three glorious months. And although he’s just as confused about this all-black refuge as he is about the white world he negotiates the rest of the year, he thinks that maybe this summer things will be different. If all goes according to plan, that is. There will be trials and tribulations, of course. There will be complicated new handshakes to fumble through, and state-of-the-art profanity to master. He will be tested by contests big and small, by his misshapen haircut (which seems to have a will of its own), by the New Coke Tragedy of ’85, and by his secret Lite FM addiction. But maybe, with a little luck, things will turn out differently this summer. In this deeply affectionate and fiercely funny coming-of-age novel, Whitehead—using the perpetual mortification of teenage existence and the desperate quest for reinvention—lithely probes the elusive nature of identity, both personal and communal.

On the surface, Ordinary Grace is the story of the murder of a beautiful young woman, a beloved daughter and sister. At heart, it’s the story of what that tragedy does to a boy, his family, and ultimately the fabric of the small town in which he lives. Told from Frank’s perspective forty years after that fateful summer, it is a moving account of a boy standing at the door of his young manhood, trying to understand a world that seems to be falling apart around him. It is an unforgettable novel about discovering the terrible price of wisdom and the enduring grace of God.