Garbage Town

Not your everyday coming-of-age novel. This story was supposed to be about Evie — how she hasn’t made a friend in years, how she tends to stretch the truth (especially about her so-called relationship with college drop-out Jonah Luks), and how she finally comes into her own once she learns to just be herself — but it isn’t. Because when her classmate Elizabeth “Zabet” McCabe’s murdered body is found in the woods, everything changes, and Evie’s life is never the same again.

The summer of 1972 was the most pivotal of Matt Plumley’s childhood. While his beloved Pirates battle for back-to-back World Series titles, Matt’s family moves from Pittsburgh to Dogwood, West Virginia, where his father steps into the pulpit of a church under the thumb of town leader Basil Blackwood. A fish out of water, Matt is relieved to forge a fast bond with two unlikely friends: Dickie Darrel Lee Hancock, a mixed-race boy, and Jesse Woods, a tough-as-nails girl with a sister on her hip and no dad in sight. As the trio traipses the hills and hollers, Matt begins to fall for Jesse, and their promises to each other draw him deeper into her terrifying reality. One night, the wrath of the Blackwoods and the secrets of Jesse’s family collide, and Matt joins Jesse in a rescue that saves one life and ends another . . . and severs the bond of their friendship. Years later, Matt is pulled back to Dogwood and to memories of that momentous summer by news of Jesse’s upcoming wedding. He could never shake the feeling that there was more to the story of that fateful night, and he’s determined to learn the truth behind the only promise Jesse Woods ever broke.

A young girl must face a life-altering decision after awakening her sister’s ghost, navigating truths about love, friendship, and power as the Civil War looms. Sixteen years old and enslaved since she was born, Junie has spent her life on Bellereine Plantation in Alabama, cooking and cleaning alongside her family, and tending to the white master’s daughter, Violet. Her daydreams are filled with poetry and faraway worlds, while she spends her nights secretly roaming through the forest, consumed with grief over the sudden death of her older sister, Minnie. When wealthy guests arrive from New Orleans, hinting at marriage for Violet and upending Junie’s life, she commits a desperate act–one that rouses Minnie’s spirit from the grave, tethered to this world unless Junie can free her. 

Someone has to keep their head, as Mum used to say, and 11-year-old Martha is used to being that someone in her family. Her little brother, Tug, is too small. Her dad has been acting too strange. And Mum’s not here anymore. So when Dad falls off the roof, it’s Martha who ices his knee and takes him to the doctor. And when Dad doesn’t come home, it’s Martha who cooks Tug’s favorite pie and reads him his bedtime story. And when Dad passes out, it’s Martha who cleans him up and keeps his secret. But eventually Dad’s problems become too big for even Martha to solve, and she realizes it’s not all up to her—there are people and places she can turn to.

An atmospheric coming-of-age story about a young man’s transformative year on his family’s struggling Icelandic cattle farm as he falls in love, discovers the purpose he’s been missing, and seeks to connect with his stoic father, who remains haunted by a tragic past. Growing up on his family’s cattle farm in western Iceland, young Orri has gained an appreciation for the beauty found in everyday things: the cavorting of a newborn calf, the return of birdsong after a long winter, the steadfast love of a good (or tolerably good) farm dog. But the outer world still beckons, so Orri leaves his no-nonsense Lithuanian Jewish mother and his taciturn father, Pabbi, to attend university in Reykjavik.

At the center of Francine Prose’s profoundly moving new novel is a young girl facing the consequences of sudden loss after the death of her sister. As her parents drift toward their own risky consolations, thirteen-year-old Nico is left alone to grope toward understanding and clarity, falling into a seductive, dangerous relationship with her sister’s enigmatic boyfriend. Over one haunted summer, Nico must face that life-changing moment when children realize their parents can no longer help them. She learns about the power of art, of time and place, the mystery of loss and recovery. But for all the darkness at the novel’s heart, the narrative itself is radiant with the lightness of summer and charged by the restless sexual tension of teenage life. Goldengrove takes its place among the great novels of adolescence, beside Henry James’s The Awkward Age and L. P. Hartley’s The Go-Between.