Shopgirls

Mia’s secret comedy career, forbidden office crush, and a long-guarded family secret take center stage, threatening her newfound confidence and her one shot at fame in this hilarious, heartfelt coming-of-age story perfect for fans of Curtis Sittenfeld and Etaf Rum. Mia Almas has a secret. By day, she works at a respectable job as a media fact checker–a position her conservative, Arab grandparents approve of–and, by night, she takes to the stages of New York City comedy clubs.

An atmospheric coming-of-age story about a young man’s transformative year on his family’s struggling Icelandic cattle farm as he falls in love, discovers the purpose he’s been missing, and seeks to connect with his stoic father, who remains haunted by a tragic past. Growing up on his family’s cattle farm in western Iceland, young Orri has gained an appreciation for the beauty found in everyday things: the cavorting of a newborn calf, the return of birdsong after a long winter, the steadfast love of a good (or tolerably good) farm dog. But the outer world still beckons, so Orri leaves his no-nonsense Lithuanian Jewish mother and his taciturn father, Pabbi, to attend university in Reykjavik.

“WHEN YOU GREW UP IN THE PROJECTS, THERE WERE NO CHOICES. NO GOOD ONES, AT LEAST.” In the Frederick Douglass Project where DeShawn lives, daily life is ruled by drugs and gang violence. Many teenagers drop out of school and join gangs, and every kid knows someone who died. Gunshots ring out on a regular basis. DeShawn is smart enough to know he should stay in school and keep away from the gangs. But while his friends have drug money to buy fancy sneakers and big-screen TVs, DeShawn’s family can barely afford food for the month. How can he stick to his principles when his family is hungry? In this gritty novel about growing up in the inner city, award-winning author Todd Strasser opens a window into the life of a teenager struggling with right and wrong under the ever-present shadow of gangs.

The summer of 1972 was the most pivotal of Matt Plumley’s childhood. While his beloved Pirates battle for back-to-back World Series titles, Matt’s family moves from Pittsburgh to Dogwood, West Virginia, where his father steps into the pulpit of a church under the thumb of town leader Basil Blackwood. A fish out of water, Matt is relieved to forge a fast bond with two unlikely friends: Dickie Darrel Lee Hancock, a mixed-race boy, and Jesse Woods, a tough-as-nails girl with a sister on her hip and no dad in sight. As the trio traipses the hills and hollers, Matt begins to fall for Jesse, and their promises to each other draw him deeper into her terrifying reality. One night, the wrath of the Blackwoods and the secrets of Jesse’s family collide, and Matt joins Jesse in a rescue that saves one life and ends another . . . and severs the bond of their friendship. Years later, Matt is pulled back to Dogwood and to memories of that momentous summer by news of Jesse’s upcoming wedding. He could never shake the feeling that there was more to the story of that fateful night, and he’s determined to learn the truth behind the only promise Jesse Woods ever broke.

From award-winning writer David Mitchell comes a sinewy, meditative novel of boyhood on the cusp of adulthood and the old on the cusp of the new. Black Swan Green tracks a single year in what is, for thirteen-year-old Jason Taylor, the sleepiest village in muddiest Worcestershire in a dying Cold War England, 1982. But the thirteen chapters, each a short story in its own right, create an exquisitely observed world that is anything but sleepy. A world of Kissingeresque realpolitik enacted in boys’ games on a frozen lake; of “nightcreeping” through the summer backyards of strangers; of the tabloid-fueled thrills of the Falklands War and its human toll; of the cruel, luscious Dawn Madden and her power-hungry boyfriend, Ross Wilcox; of a certain Madame Eva van Outryve de Crommelynck, an elderly bohemian emigré who is both more and less than she appears; of Jason’s search to replace his dead grandfather’s irreplaceable smashed watch before the crime is discovered; of first cigarettes, first kisses, first Duran Duran LPs, and first deaths; of Margaret Thatcher’s recession; of Gypsies camping in the woods and the hysteria they inspire; and, even closer to home, of a slow-motion divorce in four seasons. Pointed, funny, profound, left-field, elegiac, and painted with the stuff of life, Black Swan Green is David Mitchell’s subtlest and most effective achievement to date.

A young girl must face a life-altering decision after awakening her sister’s ghost, navigating truths about love, friendship, and power as the Civil War looms. Sixteen years old and enslaved since she was born, Junie has spent her life on Bellereine Plantation in Alabama, cooking and cleaning alongside her family, and tending to the white master’s daughter, Violet. Her daydreams are filled with poetry and faraway worlds, while she spends her nights secretly roaming through the forest, consumed with grief over the sudden death of her older sister, Minnie. When wealthy guests arrive from New Orleans, hinting at marriage for Violet and upending Junie’s life, she commits a desperate act–one that rouses Minnie’s spirit from the grave, tethered to this world unless Junie can free her.