The Promise of Jesse Woods

Bullies, harsh teachers, vicious dogs–the pastoral British countryside is a much tougher place than ten-year-old city boy Peter thought it would be. Weirder, too–there are odd shopkeepers in the village, strange hermits living in the woods, and a man known as Scarecrow Man, who stands silently in the fields along Everlasting Lane looking up at the sky. Peter’s grieving mother has gone strange, too. In the new cottage where, after the death of his father, she’s moved them both from London, she seals off an upstairs room and forbids Peter from ever entering it. Somehow, he senses the locked room represents something that troubles his mother even worse than the death of his father–but what? It isn’t until he befriends the other school outcasts–the too-smart-for-her-own-good tomboy, Anna-Marie, and overweight Tommie–that Peter begins to think he has a fighting chance of getting by in school. And as the trio of outsiders band together, he begins to think he has a chance of helping his mother, too–by getting his new friends to help him discover the dark secret she is keeping from him…

From award-winning writer David Mitchell comes a sinewy, meditative novel of boyhood on the cusp of adulthood and the old on the cusp of the new. Black Swan Green tracks a single year in what is, for thirteen-year-old Jason Taylor, the sleepiest village in muddiest Worcestershire in a dying Cold War England, 1982. But the thirteen chapters, each a short story in its own right, create an exquisitely observed world that is anything but sleepy. A world of Kissingeresque realpolitik enacted in boys’ games on a frozen lake; of “nightcreeping” through the summer backyards of strangers; of the tabloid-fueled thrills of the Falklands War and its human toll; of the cruel, luscious Dawn Madden and her power-hungry boyfriend, Ross Wilcox; of a certain Madame Eva van Outryve de Crommelynck, an elderly bohemian emigré who is both more and less than she appears; of Jason’s search to replace his dead grandfather’s irreplaceable smashed watch before the crime is discovered; of first cigarettes, first kisses, first Duran Duran LPs, and first deaths; of Margaret Thatcher’s recession; of Gypsies camping in the woods and the hysteria they inspire; and, even closer to home, of a slow-motion divorce in four seasons. Pointed, funny, profound, left-field, elegiac, and painted with the stuff of life, Black Swan Green is David Mitchell’s subtlest and most effective achievement to date.

“What’s your name?” “Serene.” “Serena?” Elliot asked. “Serene,” said Serene. “My full name is Serene-Heart-in-the-Chaos-of-Battle.” Elliot’s mouth fell open. “That is badass.” The Borderlands aren’t like anywhere else. Don’t try to smuggle a phone or any other piece of technology over the wall that marks the Border—unless you enjoy a fireworks display in your backpack. (Ballpoint pens are okay.) There are elves, harpies, and—best of all as far as Elliot is concerned—mermaids. Elliot? Who’s Elliot? Elliot is thirteen years old. He’s smart and just a tiny bit obnoxious. Sometimes more than a tiny bit. When his class goes on a field trip and he can see a wall that no one else can see, he is given the chance to go to school in the Borderlands. It turns out that on the other side of the wall, classes involve a lot more weaponry and fitness training and fewer mermaids than he expected. On the other hand, there’s Serene-Heart-in-the-Chaos-of-Battle, an elven warrior who is more beautiful than anyone Elliot has ever seen, and then there’s her human friend Luke: sunny, blond, and annoyingly likeable. There are lots of interesting books. There’s even the chance Elliot might be able to change the world.

Someone has to keep their head, as Mum used to say, and 11-year-old Martha is used to being that someone in her family. Her little brother, Tug, is too small. Her dad has been acting too strange. And Mum’s not here anymore. So when Dad falls off the roof, it’s Martha who ices his knee and takes him to the doctor. And when Dad doesn’t come home, it’s Martha who cooks Tug’s favorite pie and reads him his bedtime story. And when Dad passes out, it’s Martha who cleans him up and keeps his secret. But eventually Dad’s problems become too big for even Martha to solve, and she realizes it’s not all up to her—there are people and places she can turn to.

“WHEN YOU GREW UP IN THE PROJECTS, THERE WERE NO CHOICES. NO GOOD ONES, AT LEAST.” In the Frederick Douglass Project where DeShawn lives, daily life is ruled by drugs and gang violence. Many teenagers drop out of school and join gangs, and every kid knows someone who died. Gunshots ring out on a regular basis. DeShawn is smart enough to know he should stay in school and keep away from the gangs. But while his friends have drug money to buy fancy sneakers and big-screen TVs, DeShawn’s family can barely afford food for the month. How can he stick to his principles when his family is hungry? In this gritty novel about growing up in the inner city, award-winning author Todd Strasser opens a window into the life of a teenager struggling with right and wrong under the ever-present shadow of gangs.

Ten-year-old Helen and her summer guardian, Flora, are isolated together in Helen’s decaying family house while her father is doing secret war work in Oak Ridge during the final months of World War II. At three Helen lost her mother and the beloved grandmother who raised her has just died. A fiercely imaginative child, Helen is desperate to keep her house intact with all its ghosts and stories. Flora, her late mother’s twenty-two-year old first cousin, who cries at the drop of a hat, is ardently determined to do her best for Helen. Their relationship and its fallout, played against a backdrop of a lost America will haunt Helen for the rest of her life. This darkly beautiful novel about a child and a caretaker in isolation evokes shades of The Turn of the Screw and also harks back to Godwin’s memorable novel of growing up, The Finishing School. With its house on top of a mountain and a child who may be a bomb that will one day go off, Flora tells a story of love, regret, and the things we can’t undo. It will stay with readers long after the last page is turned.